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'Zelda' by Nancy Milford

'Zelda' by Nancy Milford

A favourite character - revisited

by Mona Finston (Tue Nov 17, 2009)

I often think that I was born several decades too late. I was not terribly comfortable coming of age in the 1960s, and 1970s, when Timothy Leary urged us all to ‘turn on, tune in and drop out,' and ‘free love' seemed to come at a price.

Instead, I longed for the era when Cole Porter wrote about how a ‘a glimpse of stocking was looked on as something shocking.' I loved the music, the wild abandon and the clothing (especially the clothing) associated with the 1920s - at least the 1920s as described by writers like F. Scott Fitzgerald. Women were flappers, free and unbridled. Men were dapper and everyone engaged in carefree, clever banter. They all appeared so civilized and sophisticated (that is - when they weren't busy shooting each other down or passing out dead drunk from illegal alcohol). It seemed a time of great creativity and a cultural melding of the great cities of the U.S. and Europe - and Zelda Fitzgerald was my hero.

Perhaps that's why, in 1975, when I walked down the aisle, it was not in a frilly white gown and stiff veil, but in an off-white suit of chiffon with hand-painted roses covering the sheer jacket and voluminous palazzo pants. On my head was perched a straw hat with the most enormous brim in creation. I was told that, on that day, I looked like Daisy Buchanan, Fitzgerald's heroine from The Great Gatsby, meaning that I also resembled the woman on whom Daisy was based - Zelda Fitzgerald.

I first read ‘Zelda,' by Nancy Milford, in the early 1970s. It was the book that hooked me forevermore on biographies and I was eager to revisit it 35 years later. When I finally located a copy of the book, I noticed immediately that either this reprint used tiny type or that my eyes had gotten considerably worse.  I donned my reading glasses and jumped back into a world that I'd romanticized, I came to discover, almost beyond recognition.

Using personal letters and first hand accounts, Milford wove a compelling tale of a woman who had great potential. Even as a child, she commanded attention with her dancing and her demeanor. As an adult, she was fearless, desired and unattainable. An adventurer. Described as ‘audacious.' All the things I longed to be. Zelda was wooed by many and ultimately won by F. Scott Fitzgerald. She soon became the inspiration for many of his characters. In fact, he used episodes from Zelda's life so often and in such great detail that they virtually ceased to be her own. As a budding novelist herself, Zelda often battled with her husband for the right to write about her own experiences. She usually lost. Her career, and her life, always came second to her husband's, leaving her frustrated and searching for her own successes, often in desperation.  She needed to find an identity of her own - apart from the one crafted for her by Fitzgerald - but never really did.

The book chronicles the couple's volatile relationship - their famous friends (Hemingway, to name one), the glamour, globetrotting, fighting, boozing (incredible bouts of drinking) and betrayals. It brings you right into their world through the letters penned by Zelda to Scott and vice versa as well as those written by close friends. Woven together, you get an intimate look at a time and place, inhabited by two remarkably unstable personalities. Ultimately, ‘Zelda' is the story of a woman's horrible descent into mental illness; a woman who was idolized by others for the life they thought she led. Zelda's life, however, which seemed so full of possibility at the start, turned out to be a horror, ripping her from her husband and child and placing her in a series of clinics and mental hospitals.

Rereading ‘Zelda' made me wonder what I'd gleaned from the book 35 years ago. It seems that my young self saw the romance, the glamour - but little else. Who knows - maybe I even thought that a descent into madness was somehow romantic and exciting. I can only say now that I'm glad I no longer have those palazzo pants and hat hanging in my closet - for they would only remind me of a tragic story of potential unrealized and a mind sadly wasted.

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Kate
Posted Tue Nov 17, 2009 at 1:57 pm Reply Delete
You raise a very good point. I am always slightly alarmed when I hear young feminists claiming Sylvia Plath as some sort of romantic heroine. The poor woman was driven to suicide. What is romantic about that?Report Abuse

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